themooncorner: Side Project / Stress reliever. My best friend, Sojabean, requested a portrait of her so OF COURSE I accepted! :)) Sorry it took forever :( I hope you like it anddddd yeahhhhh. That quote is by Death from Supernatural (it was her request that she had a tagline HAHAHAHA) Anyway. I loved doing this piece. Photoshop still teaching me things no matter how long since we’ve been acquainted. I wish I was doing this forever. Painting digitally I mean. :) Yeah 2 versions, I completely forgot she asked to be painted with glasses on. Art is mine. As always :) THIS IS ME (or at the very least a slightly cooler version of me). IT IS AWESOME. FOREVER GRATEFUL.
Zoom Info
themooncorner: Side Project / Stress reliever. My best friend, Sojabean, requested a portrait of her so OF COURSE I accepted! :)) Sorry it took forever :( I hope you like it anddddd yeahhhhh. That quote is by Death from Supernatural (it was her request that she had a tagline HAHAHAHA) Anyway. I loved doing this piece. Photoshop still teaching me things no matter how long since we’ve been acquainted. I wish I was doing this forever. Painting digitally I mean. :) Yeah 2 versions, I completely forgot she asked to be painted with glasses on. Art is mine. As always :) THIS IS ME (or at the very least a slightly cooler version of me). IT IS AWESOME. FOREVER GRATEFUL.
Zoom Info

themooncorner:

Side Project / Stress reliever. My best friend, Sojabean, requested a portrait of her so OF COURSE I accepted! :)) Sorry it took forever :( I hope you like it anddddd yeahhhhh.

That quote is by Death from Supernatural (it was her request that she had a tagline HAHAHAHA)

Anyway. I loved doing this piece. Photoshop still teaching me things no matter how long since we’ve been acquainted. I wish I was doing this forever. Painting digitally I mean. :)

Yeah 2 versions, I completely forgot she asked to be painted with glasses on.

Art is mine. As always :)

THIS IS ME (or at the very least a slightly cooler version of me). IT IS AWESOME. FOREVER GRATEFUL.

Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info
Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).
Zoom Info

Collaborating with the fantastic Los Angeles-based Gallery 1988, the Academy has commissioned ten different artists to apply their interpretations of the nominated films for all to see, and the results are a wide range of influences and technique. The set starts with Joshua Budich’s work for “Silver Linings Playbook,” passes through Tom Whalen’s bold, color-filled “Life of Pi” piece, and ends finally on Rich Kelly’s spooky artwork for “Beasts of the Southern Wild.” (Though why “Zero Dark Thirty” was omitted isn’t clear).

Source: blogs.indiewire.com